This entire season has sort of thrown us on a loop. But I don’t think that the scene was done well because of the poor buildup and characterization from past episodes. GL: Like Littlefinger? It was really satisfying to see a character so undeniably selfish meet his end. When’s the last time that someone of consequence has died? I feel like if you were watching it in a room full of people, everyone would have applauded at the deaths of this season. I also feel like the show’s lost its bite. Everything felt too planned and too convenient, and sometimes just entirely unbelievable.ĪY: The season felt like it was written from the end to the beginning, like they thought, “How can we put everyone in this position to make this event happen?” GL: I actually think that the writers had a very clear direction, but that that was the problem of this season. There was, ultimately, something nice about having it all come together, and frankly, having some sort of vague sense that the writers actually knew what they were doing. On the whole, most of the season felt like it was ambling towards an unknown goal and an unknown end. In an overstuffed episode, it feels less egregious than it could have been. At its core, it put them in a position that reveals their personalities. Yakub: I’d say that the way they approached Cersei’s understanding of the situation compared to Jon’s-juxtaposing loyalty and some sense of honor with Cersei’s pure self-preservation-was actually rather brilliant, and was one of the few things that meeting did well. Li: All right, let’s start with the meeting in King’s Landing.Īziz B. Li decided to sit down and have a conversation about the pitfalls and highlights of “The Dragon and the Wolf”. For the seventh season finale of “Game of Thrones,” writers Aziz B.
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